On-Camera Tricks You Need in 2025 –
Here’s a brutal truth: Most actors think “blocking” just means remembering where to stand. Then they wonder why their self-tapes feel flat or why directors keep adjusting their positioning on set.
At Jig Reel Studios, we’ve discovered that 90% of on-camera blocking problems come from three simple mistakes – and fixing them can immediately make you look more professional in auditions and on set.
Mistake 1: Treating Blocking Like Stage Directions
Theater mindset: “I need to hit my mark dramatically!”
Camera truth: The most powerful moments often happen when you’re barely moving.
2025 Case Study: One of our students booked a recurring role on a Hulu series by doing less. The director’s note? “Your subtle adjustments to the other actor’s energy were perfect for our close-ups.”
The Fix:
– Think in micromovements (a glance down, a slight lean in)
– Let the frame guide you (most shots only need 6-12 inches of movement)
– Practice “stillness with intention” (your eyes can “move” without your head)
Mistake 2: Ignoring the Camera’s Language
Different shots demand different blocking:
Wide Shot: Use your full body (but keep gestures smaller than theater)
Medium Shot: Focus on waist-up reactions
Close-Up: Your eyelines become your blocking
Pro Tip from CD Ricardo Hernandez: “I immediately notice when actors don’t adjust their blocking for the shot size. It shows they lack on-camera experience.”
Mistake 3: Blocking Yourself Out of the Light
The 2025 Reality: With more self-taping than ever, actors need to self-block like cinematographers.
Common Errors:
– Backing into shadows during emotional moments
– Crossing the “180 line” and confusing viewers
– Blocking your scene partner’s face
The Jig Reel Blocking Bootcamp:
1. The 3-Step Mark Technique: How to naturally find your light
2. Eyeline Chess: Maintaining spatial relationships in tight spaces
3. The Pivot Rule: Adjusting angles for coverage without breaking continuity
2025 Blocking Hack: The “Action Map”
Working actors now use this simple pre-scene checklist:
1. Identify the power positions (where the camera favors)
2. Mark emotional transitions (movement = story beats)
3. Plan adjustments for coverage shots
Example: For an argument scene:
– Start seated (contained energy)
– Stand at “I can’t do this anymore” (release)
– Move to doorway for exit (but don’t fully leave frame)
Try This Today
In your next scene:
1. Reduce all blocking by 50%
2. Ask: “Where does the camera want me?”
3. Test: Does this movement serve the story or just your nerves?
Need help? Our On-Camera Scene Study class breaks down professional blocking techniques every Thursday.
Call (818) 839-0704 – mention this article for a free frame guide.